790 Free Images of Color Lithograph On Paper

national gallery of artthe aboriginal portfoliolithographs in the smithsonian american art museumhand-colored lithograph on papersmithsonian american art museumjames otto lewislithographs in the national gallery of art (washington, d.c.)color lithograph on wove paperojibwa peoplepost-impressionism
Across Country (A travers champs), Édouard Vuillard
lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis
AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
Incest of souls; Minor and soldier, Alphonse Osbert, 1896
lithographs in the national gallery of art (washington, d.c.)symbolism
PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838
lithographs in the national gallery of art (washington, d.c.)alfred hoffy
CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
Incest of souls; Minor and soldier, Alphonse Osbert, 1896
lithographs in the national gallery of art (washington, d.c.)symbolism
Rudyard Kipling, William Nicholson
prints in the aberdeen archives, gallery and museums collectionwilliam newzam prior nicholson
Pinning the Hat, Pierre-Auguste Renoir, circa 1898
renoir (delteil 30)impressionism
Print, Design for a Calendar (October), 1911, Theo van Hoytema
prints in the cooper–hewitt, smithsonian design museum1911 works
Bird of Paradise (Paradisea apoda), William Matthew Hart, published 1875-1888
lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart
Chon-Ca-Pe, Henry Inman, 1837
lithographs in the national gallery of art (washington, d.c.)academic art
The Assumption of Hannele Mattern; Waiting for her, Paul Sérusier, 1894
lithographs in the national gallery of art (washington, d.c.)pont-aven school,les nabis,synthetism,cloisonnism,symbolism
For You (Pour toi!...), Henri de Toulouse-Lautrec, 1893
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
Snow game in front of the mill, Léon Spilliaert, 1918
expressionism,symbolismcollections of mu.zee
Distribution of the American Art-Union Prizes, Francis D'Avignon, 1848
lithographs in the national gallery of art (washington, d.c.)francis d'avignon
Drury Lane Rags, James McNeill Whistler, 1888
prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism
La Fumée, puis la flamme, Louis Abel-Truchet, 1895
french lithographs in the national gallery of art (washington, d.c.)belle époque
View of the Town of Gloucester, Massachusetts, by Fitz Henry Lane, 1836, colored lithograph on paper by Pendleton's Lithography, Boston - Cape Ann Museum - Gloucester, MA - DSC01117
collections of the cape ann museumpendleton's lithography
The Bakery (La patiserie), Édouard Vuillard, 1899
prints by édouard vuillard in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis
Figure Study in Colors, James McNeill Whistler, 1890
prints by james mcneill whistler in the metropolitan museum of artaestheticism
Figure Study in Colors, James McNeill Whistler, 1890
prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism
Print, Design for Calendar (June, 1911, Theo van Hoytema
prints in the cooper–hewitt, smithsonian design museum1911 works
Print, Design for a Calendar (April), 1911, Theo van Hoytema
prints in the cooper–hewitt, smithsonian design museum1911 works
Print, Design for a Calendar (July), 1911, Theo van Hoytema
prints in the cooper–hewitt, smithsonian design museum1911 works
Print, Design for a Calendar (May), 1911, Theo van Hoytema
prints in the cooper–hewitt, smithsonian design museum1911 works
Print, Design for a Calendar (September), 1911, Theo van Hoytema
prints in the cooper–hewitt, smithsonian design museum1911 works
Modern Print: Parisian: Parisian, Paul César Helleu, 1898
prints by paul césar helleuimpressionism
CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
the aboriginal portfolioojibwa people
CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
Landscape with a House (Paysage avec maison), Ker-Xavier Roussel, 1897
lithographs in the national gallery of art (washington, d.c.)ker-xavier roussel
Væddeløbsbanen, Henri de Toulouse-Lautrec, 1899
drawings by henri de toulouse-lautrec in the statens museum for kunstpost-impressionism
James McNeill Whistler, William Nicholson
prints in the aberdeen archives, gallery and museums collectionwilliam newzam prior nicholson
Caudieux, Henri de Toulouse-Lautrec, 1893
toulouse-lautrec (delteil 346)post-impressionism
Divan Japonais, Henri de Toulouse-Lautrec, 1892–93
post-impressionismdivan japonais
Payta Kootha, a Shawnee Warrior, Albert Newsam, 1836
lithographs in the national gallery of art (washington, d.c.)albert newsam
Children's Pastime, Édouard Vuillard, published 1897
lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis
Advertisement for a Lecture by Walter Crane in Budapest, Walter Crane, 1900
prints by walter cranesymbolism
Elles (poster for 1896 exhibition at La Plume), Henri de Toulouse-Lautrec
post-impressionismgustave pellet
Chaminade Les Sirènes Op. 160, Richard Barabandy, 29 May 1920
richard barabandycécile chaminade
Frontispiece for "Elles", Henri de Toulouse-Lautrec, 1896
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
Sancho Panza, Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
Dulcinea del Toboso, Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
L'Argent, Henri de Toulouse-Lautrec, 1895
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
The Laughing One: Madame Albert Besnard, Edmond Aman-Jean, 1897
lithographs in the national gallery of art (washington, d.c.)symbolism
Print, Design for a Calendar (November), 1911, Theo van Hoytema
prints in the cooper–hewitt, smithsonian design museum1911 works
Pinning the Hat, Pierre-Auguste Renoir, 1898
renoir (delteil 30)impressionism
Secession. The Art of Women. 1st Exhibition of the Association of Women Artists of Austria 1910, Johanna Meier-Michel
sammlung grafik und plakat des mk&g hamburgexhibition posters of austria
NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
Interior with Pink Wallpaper II (Interieur aux tentures roses II), Édouard Vuillard
lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis
O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
Interior with Pink Wallpaper III (Interieur aux tentures roses III), Édouard Vuillard
lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis
O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
On the "Pont de l'Europe", Édouard Vuillard
lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis
Politics in an Oyster House, Michele Fanoli, 1851
lithographs in the national gallery of art (washington, d.c.)michel fanoli
Miguel de Cervantes Saavedra, Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
They got out next to the fountain, Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
The Assumption of Hannele Mattern; Waiting for her, Paul Sérusier, 1894
lithographs in the national gallery of art (washington, d.c.)pont-aven school,les nabis,synthetism,cloisonnism,symbolism
Country Outing, Henri de Toulouse-Lautrec, 1897
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
They got off at the fountain..., Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
The Assumption of Hannele Mattern; Waiting for her, Paul Sérusier, 1894
lithographs in the national gallery of art (washington, d.c.)pont-aven school,les nabis,synthetism,cloisonnism,symbolism
Her Royal Highness the Princess Alice., Richard James Lane, between 1857 and 1858
hand-colored lithographs in the british museumprincess alice of the united kingdom in 1857
Poor children in front of the hearth with their Saint Nicholas toys, Léon Spilliaert, 1918
expressionism,symbolismcollections of mu.zee
The six little girls are visited by the toy angel, Léon Spilliaert, 1918
expressionism,symbolismcollections of mu.zee
Karl Bauer - Münchnerin (Gattin des Künstlers), 1903, Karl Bauer
1903 portrait lithographs of womenkarl bauer
Two Sisters-in-Law, Édouard Vuillard
lithographs in the national gallery of art (washington, d.c.)post-impressionism,japonisme,les nabis
The Farm-Yard in Winter, George Henry Durrie, 1861
lithographs in the national gallery of art (washington, d.c.) from the united statesprints after george henry durrie
Woman at the Tub (Femme au tub), Henri de Toulouse-Lautrec, 1896
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
Woman in Bed, Profile (Femme au lit, profil), Henri de Toulouse-Lautrec, 1896
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
At the Ambassadeurs (Aux Ambassadeurs), Henri de Toulouse-Lautrec, 1894
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
La Menagerie Imperiale, 1871
hand-colored lithographs in the british museumla ménagerie impériale
La Menagerie Imperiale, 1871
hand-colored lithographs in the british museumla ménagerie impériale
La Menagerie Imperiale, 1871
hand-colored lithographs in the british museumla ménagerie impériale
Las Bodas de Camacho, Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
Don Quixote de la Mancha, Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
...il tomo sus simples..., Célestin Nanteuil, circa 1855
lithographs in the national gallery of art (washington, d.c.)célestin nanteuil
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